Tam O'Shanter Manuscript (1790) by Robert BurnsNational Library of Scotland
Discover the story of Tam o' Shanter
Tam o' Shanter, a farmer who often went drinking with his friends, is a character in a poem by Robert Burns. It is one of his most popular, making Tam an icon of Scottish culture.
Burns may have based the character of Tam on Douglas Graham (1739–1811) who lived at Shanter Farm near Kirkoswald in South Ayrshire. The dramatic narrative and vivid descriptions of witches and warlocks have inspired generations of artists.
The Witches (1842/1845) by Engraved by J. Bingley from drawings by A. AshleyNational Library of Scotland
Themes and imagery
The themes and imagery which Burns used in the poem drew heavily on the folk-lore of witchcraft which he learned from Betty Davidson, a relative of his mother Agnes who lived with the Burns family.
Witches in Flight (1489) by Ulrich MolitorNational Library of Scotland
She was one of Robert's sources of inspiration when he was very young. Superstitious and non-literate, Betty entertained the family with old legends and stories of witches and warlocks.
Frontispiece Portrait of Robert Burns (1787) by J. BuegoNational Library of Scotland
Burns later recalled her influence in one of his letters written in 1787 to Dr John Moore, a London-based Scottish physician and novelist: "In my infant and boyish days too, I owed much to an old Maid of my Mother's, remarkable for her ignorance, credulity and superstition...
Lovat's Ghost on Pilgrimage by UnknownNational Library of Scotland
"...She had, I suppose, the largest collection in the county of tales and songs concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kelpies, elf-candles, dead-lights, wraiths, apparitions, cantraips, giants, inchanted towers, dragons and other trumpery."
Skeleton coming out of the ground (1859/1860) by John Francis CampbellNational Library of Scotland
"This cultivated the latent seeds of poetry, but had so strong an effect on my imagination, that to this hour, in my nocturnal rambles, I sometimes keep a sharp look out in suspicious places..."
Souter tauld his queerest stories (1855) by John Faed (1819-1902)National Library of Scotland
"The night drave on wi' sangs and clatter..."
In the poem, after long weeks at market, Tam, a farmer from Carrick stays drinking almost until the witching hour, the hour between night and day, enjoying the stories told by 'Souter Johnny'.
Nae man can thether time or tide, the hour approaches Tam maun ride (1855) by John Faed (1819-1902)National Library of Scotland
"The hour approaches Tam maun ride..."
However, all good things come to an end and Tam must now mount his faithful mare, Maggie to make his long way home where his long-suffering wife Kate awaits.
Alloway Kirk (1840) by David Octavius Hill (1802-1870)National Library of Scotland
"Glimmering thro' the groaning trees, Kirk-Alloway..."
On his long ride home, Tam's route takes him past the haunted Alloway Kirk (church).
And vow! Tam saw an unco sight! Warlocks and witches in a dance (1855) by John Faed (1819-1902)National Library of Scotland
"And, vow! Tam saw an unco sight..."
Through the brightly-lit windows, he sees witches dancing and the Devil himself playing the bagpipes. There is one particular young witch in her 'cutty sark' (a revealing undergarment) who catches Tam's eye.
But scarcely had he Maggie rallied, when out the hellish legion sallied (1855) by John Faed (1819-1902)National Library of Scotland
"Ah, Tam! ah, Tam! thou'll get thy fairin'!"
Tam forgets himself and shouts 'Weel done, cutty sark!', drawing the attention of the witches who realise he has been watching them. Angered, they set off in hot pursuit of Tam as he flees on loyal Maggie.
Ae spring brought off her master hale, but left behind her ain gray tail (1855) by John Faed (1819-1902)National Library of Scotland
"Now, do thy speedy utmost, Meg..."
Despite Meg being fast, by the time Tam reaches the middle of the arch of the 'Brig o Doon', the witches are nipping at his heels. They're so close that one of them actually springs to seize him but only manages to grip Maggie's tail. At this point Burns adds a useful footnote for anyone caught in similar circumstances:
Ae spring brought off her master hale, but left behind her ain gray tail (1855) by John Faed (1819-1902)National Library of Scotland
'It is a well-known fact that witches, or any evil spirits, have no power to follow a poor wight any further than the middle of the next running stream.'
High School Wynd (1825) by W.H. LizarsNational Library of Scotland
Origins of the tale
The tale may, in fact, be based on an actual person, Douglas Graham of Shanter Farm, Carrick who had a reputation for getting very drunk on market days. He supplied his cousin’s inn with barley and it was at this inn that he would drink, along with his friend John Davidson.
Cowgate looking East (1829) by Thomas ShepherdNational Library of Scotland
It's thought that Douglas Graham lost his bonnet one night, in the lining of which he had hidden the day’s takings from market.
Tam O' Shanter frontispiece (1801) by Alexander Carse (c. 1770-1843)National Library of Scotland
To explain this to his wife, he made up a story of how he was delayed by the sight of witches dancing in the kirk and how, when they spotted him, chased him and his horse just made it over the river before the witches caught him - but his bonnet was lost in the process.
Tap to explore
Alloway Kirk today
Today, visitors can still wander through the graveyard of Alloway Kirk and see the ruin of the old kirk itself where at dusk it's lit up in remembrance of old Tam who unwisely looked in through its window at a witches' sabbath.
Robert Burns frontispiece portrait (1861) by Archibald SkirvingNational Library of Scotland
Discover more on Burns' life and work
Tam O' Shanter is just one of the many unique Robert Burns manucripts at the National Library of Scotland. Read more about his life and work in his own words.
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